Gemälde vom Empfang Friedrich Christians von Sachsen in Venedig
© Königliches Schloss, Warschau, Inv. Nr. FC-ZKW/1130; Foto: Andrzej Ring, Lech Sandzewicz
From 9th September 2020, the Historical and the New Green Vault are open daily (except Tuesdays) from 10 a.m. to 5 p.m., and on Fridays during Blue Hour until 8 p.m.

The Grand Cure

A disabled Saxon Prince and his Tour of Italy

This is the first exhibition to be devoted to Elector Friedrich Christian of Saxony (1722-63), who succeeded King August III in 1763 for just 74 days. Given his brief reign, few are aware of the prince's profound physical disabilities, akin to cerebral palsy, which prevented him from standing or walking without assistance and made simple tasks like eating and dressing difficult.

  • DATES 09/05/2018—19/08/2018
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[Translate to English:] Text

The marriage of his sister Maria Amalia to the Kingof Naples in May 1738 inspired their parents to send the fifteen-year-old heir to the throne on an impromptu journey to Italy, for life-saving medical treatments. This exceptional two-year adventure was amply documented, allowing us to precisely reconstruct the prince's route and daily experiences as he travelled from Dresden to Naples, Rome, Florence,Milan and Venice. Like the able-bodied Grand Tourists hemet along the way, he also travelled incognito with an entourage, enjoyed celebrity status, and collected art, relics, books and ephemera for shipment home. Some of the Italian gifts and souvenirs have been identified in museums, archives and libraries and are presented and contextualized in the intimate setting of the Sponselraum.

Porträt des jungen Kurprinzen Friedrich Christian von Sachsen
© Gemäldegalerie Alte Meister, SKD, Foto: Elke Estel/ Hans-Peter Klut
Rosalba Carriera, Kurprinz Friedrich Christian von Sachsen (1722-1763), 1739

[Translate to English:] Impressionen

[Translate to English:] Text

August the Strong and August III both made Grand Tours as teenagers, with the court of Louis XIV and carnival in Venice as their primary targets. Friedrich Christian, by contrast, went to Italy as a medical tourist. Although he would never be cured, the mineral baths and holistic treatments administered abroad did soothe and strengthen the prince's atrophied limbs, allowing him to regain the use of his left hand, bear his own bodyweight and walk short distances with two canes. Of necessity, however, he was mostly carried around Italy in a porte-chaise (sedan chair), even ascending the Leaning Tower of Pisa in this manner.

© Sächsische Landesbibliothek – Staats- und Universitätsbibliothek Dresden, Kartensammlung
Luigi Ughi, Iconografica rappresentatione della inclita città di Venezia: Friderico Christiano Augusti regis filio / Obsequentißimus Ludovicus Ughi Aeques. Aquarellierter Stich

[Translate to English:] Text

Since there was no precedent for portraying a disabled heir to the throne, the Prince was chronicled and painted conventionally, as able-bodied, and even thought of himself as such. A glimpse of his handicap is shown in the view of his arrival at Venice in 1739, but it was not until 1761, while in exile in Munich during the Seven Years War, that he was portrayed in a wheelchair. With his premature death from smallpox at the age of 41, however, the Elector's great promise went unfulfilled.

Public Programme of accompanying Events

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© Kupferstich-Kabinett, Staatliche Kunstsammlungen Dresden; Foto: Andreas Diesend
Aufrisse einer Sänfte, Johann Jacob Schübler, 1728, Kupferstich

[Translate to English:] weitere Ausstellungen

Further Exhibitions

Grünes Gewölbe

im Residenzschloss

03.03.2018 —27.05.2018
Grafik eines Mannes in Grautönen

Electoral Wardrobe

im Residenzschloss

Aufwendig besticktes und verziertes Kleid im Seitenprofil.

Kunstgewerbemuseum

im Schloss Pillnitz

gelber Kasten mit vier Füßen
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