Richard Artschwagers Skulptur,
As a trained carpenter who switched to sculpture in the 1960s, he exposes the historically established boundary between applied and fine art. His works combine minimalism and pop art. The sculptures of his Crates series, which have sometimes enigmatic forms, also oscillate between abstract form and its representational interpretation, between functionality and its negation. Artschwager wants to confuse visitors and confront them with their own assumptions. In doing so, he always remains ironically detached and plays with expectations: What is art here?